Julian was an anchoress in 14th century
The prayer vessel represents Julian’s ministry of prayer, contemplation and spiritual guidance. She lived her life physically in the middle, between the church and the world. While observing the daily offices, she was not cloistered from the world but available to any and all who passed by. The prayer vessel creates a similar physical inner space of prayer and meditation, a part of the world while apart from it.
Julian was a holy woman who experienced visions from God and took twenty years to write her understanding of them in Revelations of Divine Love. Her non-punitive understanding of sin was radically different from the Church of her time. Also, Julian often used feminine images of God, even describing Christ as “our mother.” Her sense of the inclusiveness of God’s complete love led her to state: “all shall be well, and all shall be well, and all manner of thing shall be well.”
Alone in the Presence provides a striking contrast to Monica’s other vessels in bowl or bottle shapes which are traditionally seen as feminine forms. It stands tall and narrow as a tower, strong and visible, which is a traditionally masculine shape. While I am not privy to Monica’s vision for her artwork, I can speak to my response. It illustrates one medieval woman’s ability to stand, separate and tall, independent in an age when a woman’s independence often meant ostracism or death. She wrote and spoke God’s truth as she knew it, opposing the fear and turmoil of those days when the plague or violence from other people could strike anytime.
Julian’s cell has not survived and the church was destroyed by a bomb during World War II. However as the first woman to write a book in English, her words continue to inspire many who continue to learn from her vision over six hundred years ago.
Alone in the Presence now sits where I can see it while I provide spiritual direction, a reminder of Julian who preceded me in listening to others on their spiritual journeys.
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